The concept of "stream-of-consciousness" was initially defined by __________.

What was the primary way Brahms created contrast in the finale of Symphony no. 4?

a. adding vocal embellishments b. using instruments that were new to the symphony, such as the saxophone c. shifting orchestration and tone color d. constantly shifting key centers

François Rude's allegorical sculpture Departure of the Volunteers of 1792 was created to adorn which Parisian monument?

A. Eiffel Tower B. Louvre palace C. Opéra house D. Arc de Triomphe