The technique of soggetto cavato is unique to Josquin and has not been used by other composers

A) true
B) false

B

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Georges Méliès was

A. the director of Our Hospitality. B. an early director of fantasy films and master of mise-en-scene. C. an important French set designer of the 1930s. D. the first historian to study mise-en-scene in the cinema.

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