The meaning of Fuseli's The Nightmare (23.17) is ____________

In the 1920s, the Soviet filmmakers expanded Griffith’s principles of editing and established the theoretical premises for __________ editing

A. classical B. associational C. thematic D. parallel

In the Creation of Adam, Michelangelo fashioned the conception of God after ____

a. the Byzantine Pantokrator b. Olympian deities c. medieval representations d. Andrea del Sarto